2. Februar 2024
MINT MIND & KNUD VOSS, Komet, 21:00
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MINT MIND
„Heavy music for nerdy people“, that’s how someone once described the music of Mint Mind. „For“ or „from“? Both, of course. After the first „VG+“ songs, you get a feeling of what the world of Mint Mind looks like: instruments and amplifiers from several decades loosely piled and organized. In front of, next to and between are synthesizers and effects, some as big as microwave ovens. On the crooked record shelf are handfuls of comics, albums by New Order, Devo, the B52s, almost the entire SST catalog, as well as Krautrock classics by Can and Faust. „VG+“, Mint Mind’s third album, has become a great, cross-generational indie rock album.
Mint Mind are sitting in the Upper Room Studio, a separate area of Rick McPhail’s small industrial loft in Hamburg-Altona. This is where the new Mint Mind album VG+ was created. Rick, who grew up in Maine, USA, looks to his fellow musicians. They are a little younger than him. Christian Klindworth (Fluppe) is 40, Friedel
Viegener is 22. Rick grins and says, „I’m a polite and cheerful person but I need moments to vent and that’s what I do in my music. I usually get angry about the same things as young people. A lot of the things that suck today sucked in the 80s and it wasn’t easier to fight them back then.”
The album is about anger, optimism, a politician with little fingers or influencers who secretly lead a normal life. Some lyrics are funny, others serious: „Glow“ is about love and appreciating good moments in difficult times. „Youth And I“ deals with the question
of why different generations with the same ideas on topics such as the environment, women’s and LGBTQIA+ rights or even the economy do not manage to form a unity, but instead allow themselves to be disturbed by something as silly as age differences.
The sound of Mint Mind combines sweet and sour, fuzzy riffs with
the freedom and sentiment of 80’s post-punk/indie. Synthesizers have become a more central instrument this time. From playful and strange sounds to the eerie and dark, the album is littered with textures and ear candy to discover.
The album title is well chosen. „VG+“ is taken from the Goldmine Grading Standard for the evaluation of used vinyl records and means „Very Good +“ – background noise can occur occasionally, but not always.
Older folks might certainly feel reminded of Dinosaur Jr. or The Cure, the younger ones of Diiv, Wavves or Gurr. And for a moment, the world is Very Good + (with background noise) for everyone.
Speaking of background noise: When Rick is not swinging his self-made Lego guitar at Mint Mind, he takes care of the technic, roadies and lead guitar in Tocotronic or spins records. In the Hamburger bar Mutter he plays Album/Adult Oriented Rock under the motto „AOR-Alles Klar?“. He moderates the songs and with a telephone receiver converted to a microphone the guests can also make requests. As the morning dawns over Hamburg, Rick packs up his Billy Joel, Chicago and Steely Dan albums, grabs his skateboard and rides back to his studio with the rising sun at his back.
Mint Mind are sitting in the Upper Room Studio, a separate area of Rick McPhail’s small industrial loft in Hamburg-Altona. This is where the new Mint Mind album VG+ was created. Rick, who grew up in Maine, USA, looks to his fellow musicians. They are a little younger than him. Christian Klindworth (Fluppe) is 40, Friedel
Viegener is 22. Rick grins and says, „I’m a polite and cheerful person but I need moments to vent and that’s what I do in my music. I usually get angry about the same things as young people. A lot of the things that suck today sucked in the 80s and it wasn’t easier to fight them back then.”
The album is about anger, optimism, a politician with little fingers or influencers who secretly lead a normal life. Some lyrics are funny, others serious: „Glow“ is about love and appreciating good moments in difficult times. „Youth And I“ deals with the question
of why different generations with the same ideas on topics such as the environment, women’s and LGBTQIA+ rights or even the economy do not manage to form a unity, but instead allow themselves to be disturbed by something as silly as age differences.
The sound of Mint Mind combines sweet and sour, fuzzy riffs with
the freedom and sentiment of 80’s post-punk/indie. Synthesizers have become a more central instrument this time. From playful and strange sounds to the eerie and dark, the album is littered with textures and ear candy to discover.
The album title is well chosen. „VG+“ is taken from the Goldmine Grading Standard for the evaluation of used vinyl records and means „Very Good +“ – background noise can occur occasionally, but not always.
Older folks might certainly feel reminded of Dinosaur Jr. or The Cure, the younger ones of Diiv, Wavves or Gurr. And for a moment, the world is Very Good + (with background noise) for everyone.
Speaking of background noise: When Rick is not swinging his self-made Lego guitar at Mint Mind, he takes care of the technic, roadies and lead guitar in Tocotronic or spins records. In the Hamburger bar Mutter he plays Album/Adult Oriented Rock under the motto „AOR-Alles Klar?“. He moderates the songs and with a telephone receiver converted to a microphone the guests can also make requests. As the morning dawns over Hamburg, Rick packs up his Billy Joel, Chicago and Steely Dan albums, grabs his skateboard and rides back to his studio with the rising sun at his back.
KNUD VOSS
Die Haare sitzen, kein Mundgeruch. Das ist schon ziemlich nice! Nachdem sich der Vierer von der schleswig-holsteinischen Westcoast mit seinem DIY-Debüt „Capristube“ (2020) mal eben selbst seine eigene kleine Nische geschaffen hat, legen sie nun 2023 mit „Mono“ nach und liefern damit ein
großartiges Album ab, das mit jedem Durchlauf wächst und nun live präsentiert werden will. Elf Stücke mündiger Punkrock ohne Genregrenzen und jeder Menge norddeutschem Charme in denen „Gang of Four“-Gitarren auf eine knallende Schießbude, walzende Basshooks, Synthie-Einlagen und dem sehr prägnanten Gesangsstil von Frontlerche André treffen.
KNUD VOSS verwursten unsern alten Kumpel Punkrock mit viel Post im Punk, hypnotischen Kraut- und dancy Elektropop-Elementen auf ihre ganz eigene, smarte Weise. „mono“ funktioniert einfach – egal ob auf Platte oder live – und das verdammt gut!
großartiges Album ab, das mit jedem Durchlauf wächst und nun live präsentiert werden will. Elf Stücke mündiger Punkrock ohne Genregrenzen und jeder Menge norddeutschem Charme in denen „Gang of Four“-Gitarren auf eine knallende Schießbude, walzende Basshooks, Synthie-Einlagen und dem sehr prägnanten Gesangsstil von Frontlerche André treffen.
KNUD VOSS verwursten unsern alten Kumpel Punkrock mit viel Post im Punk, hypnotischen Kraut- und dancy Elektropop-Elementen auf ihre ganz eigene, smarte Weise. „mono“ funktioniert einfach – egal ob auf Platte oder live – und das verdammt gut!
Und die Musik-Gazetten stimmen mit ein:
Visions: „… voll von Idles-artiger Widerborstigkeit … Gut möglich, dass es sich bei „mono“ um die Vorstufe einer Rakete handelt“
OX-Fanzine: “Norddeutschdiscopunk mit pumpendem Bass, hämmernden Drums und schreiend tanzbaren Gitarrenloops … Konzertbesuch ist Pflicht! Sofort!
beatblogger.de: „mono“ wagt mehr und gewinnt auf ganzer Linie.
